Research-Creation merges critical inquiry with creative practice. This section showcases works that explore theoretical concepts through artistic methods, emphasizing the process of making as a form of thinking. Each project investigates questions around technology, identity, and embodied experience, using computational film, installation, and interactive media to generate new insights. Rather than illustrating research outcomes, these works embody research as an ongoing, situated, and affective engagement with the world.
- A Woman Manufactured to Order
- Ctrl_Space
- Dreamatics Inc.
- 生け花 Ikebana
- The Future of forever
- Job Interview Simulator
- Feast in Famine
- AI Agents in Automated Workflow
- Co-Creation with Generative AI in Video Production
- Hyper Robo Sapien Institute
- Human-Made Human
- Chat with Future You
- The Glow
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Rethinking AI: A Review of 'Making Kin with the Machines'
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AI Agency through the Lens of Data Feminism
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Exploring Machine Vision through Generative AI Video
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Technosex: The Objectification Protoco
- 未完風: An AI Agent Theatre
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Fully Automated Luxury Communism
- Data Corruption
Synthetic Reality explores the convergence of 3D design, texturing, real-time rendering, and immersive environments to construct digitally fabricated worlds. This section showcases works that blur the line between the virtual and the real, featuring virtual humans, spatial simulations, and interactive digital spaces. By combining cinematic techniques, spatial storytelling, and AI-driven characters, these projects examine the aesthetics and politics of simulated existence. From hyperreal avatars to speculative environments, Synthetic Reality offers a critical lens into how emerging technologies reshape our perception, presence, and identity in digital worlds.
- Home Before Dark
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Bailey 1922: Chosen for Every Moment
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Monka 1997
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Where the Trains Don’t Come
- Objects 2000
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どうして行われたのか分からない葬式
- Extreme Community Experiment
- Psyche Storage
Still n Moving Image presents commissioned photography and video works created for brands and institutions, including commercials, identity films, and thematic visuals. These works go beyond aesthetics and style, engaging deeply with cultural narratives and storytelling structures to communicate the essence and values of each brand. Whether in the quiet stillness of a photograph or the unfolding rhythm of moving images, this series highlights the potential of visual media as a tool for cultural translation and meaningful connection.
- A New Voyage
- From the Jump
- Have a Great Hair Day...at Fleuri
- Before the Rain (It was a sunny day)
- Fruition Girl Sundae Night
- Groundzero Dating Club
- With GIMA Filter, Anything is Possible
- Holiday Motion Series
- You are my Spring Summer 2020
- Retail Therapy
- MONKA 00:03 AM
- Groundzero Baby
- Fleuri Playlist Program
- Teenage Wasteland
- I am sad, Lisa
- The Bag, The Hero
- 1900-We Offer Friends
- The Coolboy Family
Machine Vision investigates how images are perceived, generated, and interpreted by machines in a posthuman era. This section focuses on algorithmic aesthetics, AI-generated imagery, and visual culture from nonhuman perspectives, revealing a new visual language beyond human-centered perception. These works blur the boundary between the viewer and the viewed, signaling a shift in the locus of power and subjectivity. By questioning the authority of human vision, Machine Vision offers an aesthetic inquiry into the politics of perception, technological mediation, and future ways of seeing.
Visual Communication explores how images, typography, and layout work together to convey meaning across media platforms. This section includes works in graphic design, visual design, and brand identity—projects that transform abstract ideas into clear, impactful visual narratives. From posters and publications to logos and campaigns, these designs shape how we perceive information, culture, and value. Visual Communication highlights the power of visual language to inform, persuade, and create lasting emotional connections in both physical and digital spaces.